The UGLYS have been a band for nigh on three years, yet they performed live for the first time this February. Just imagine … three years of crafting tunes, exploring the sonic palette, before any stage time. I wish more bands would give their songs that much time to incubate, to evolve, to become. The UGLYS are Zach Kane (guitar, drums, voice), Jared Kane (bass … and brother), and Victor Jadlow (guitar, voice).
Now, things have gotten too legit for The UGLYS and their fans as the band is due to release its “High as Heaven, Drunk as Hell” e.p. on June 26th. It was recorded by former Suicide Squeeze artist Tim Gerak (The Photo Atlas, InnerOceans) at Mammoth Cave Studios in Denver.
The UGLYS are a post hardcore stoner/punk band. I think that distinction is right on. There are too many tempo changes and heavy, heavy riffs to be punk in the Ramones sense of the word. How about this: If The Mars Volta, Screaming Trees, SOAD, Royal Blood and Rancid could somehow all parent one musical child, it might – might – sound a little like The UGLYS. That’s my take. I’m happy to hear something this aggressive that’s anchored by some theory chops. Keeps it interesting. I’m a fan.
“High as Heaven, Drunk as Hell” is a 20-minute blitzkrieg of styles in four blistering tracks. Zach Kane: “Our style is heavily influenced by the post-hardcore bands of the early 2000s, i.e. The Blood Brothers, At the Drive In, Underoath, etc., balanced with late 80s/early90s post-punk Fugazi, The Talking Heads, Liars. Then we threw in some stoner metal to seal in the mix (Sleep, Uncle Acid and the Deadbeats, Bison BC).” Preview a couple of tracks here.
The Denver release gig is on July 17th at Hi-Dive. This is gonna be a serious knockout event. Whiplash warning: Don’t come to mosh without getting limber first. The beat’s too hot for your safety.